GROTESK.GROUP TIMESTAMP: 11/23/25CONTACT AND LEGAL SH*T
‘USERS WITH A COMMON INTEREST IN DATA’  (CLICK HERE FOR SLIDE) >><< ((CLICK HERE FOR THE LAB))NETWORKS:

‘HAFTBEFEHL X ODDWORLD’


MOTION DESIGN, COMPOSITING, GENERATION.


HAFTBEFEHL X ODDWORLDHAFTBEFEHL X ODDWORLD >> MOTIONDESIGN AND EDITING OF GENERATED VISUALS INSPIRED BY 70SCINEMA-ESQUE (SIM) HAFTBEFEHL X ODDWORLDHAFTBEFEHL X ODDWORLD >> MOTIONDESIGN AND EDITING OF GENERATED VISUALS INSPIRED BY 70SCINEMA-ESQUE (SIM) HAFTBEFEHL X ODDWORLDHAFTBEFEHL X ODDWORLD >> MOTIONDESIGN AND EDITING OF GENERATED VISUALS INSPIRED BY 70SCINEMA-ESQUE (SIM) HAFTBEFEHL X ODDWORLDHAFTBEFEHL X ODDWORLD >> MOTIONDESIGN AND EDITING OF GENERATED VISUALS INSPIRED BY 70SCINEMA-ESQUE (SIM) HAFTBEFEHL X ODDWORLDHAFTBEFEHL X ODDWORLD >> MOTIONDESIGN AND EDITING OF GENERATED VISUALS INSPIRED BY 70SCINEMA-ESQUE (SIM) HAFTBEFEHL X ODDWORLDHAFTBEFEHL X ODDWORLD >> MOTIONDESIGN AND EDITING OF GENERATED VISUALS INSPIRED BY 70SCINEMA-ESQUE (SIM) HAFTBEFEHL X ODDWORLDHAFTBEFEHL X ODDWORLD 


‘DRUNKENMASTERS’


CONCEPT, EDITING AND MOTION DESIGN, 3D WORK AND GENERATED VISUALS.


LIVE VISUALS FOR THE CURRENT DRUNKENMASTERS LIVE SHOW. CONCEPT, EDITING, MOTION DESIGN AS WELL AS THE 3D ELEMENTS AND ALL GENERATED VISUALS DONE BY GROTESK.GROUP  LIVE VISUALS FOR THE CURRENT DRUNKENMASTERS LIVE SHOW. CONCEPT, EDITING, MOTION DESIGN AS WELL AS THE 3D ELEMENTS AND ALL GENERATED VISUALS DONE BY GROTESK.GROUP LIVE VISUALS FOR THE CURRENT DRUNKENMASTERS LIVE SHOW. CONCEPT, EDITING, MOTION DESIGN AS WELL AS THE 3D ELEMENTS AND ALL GENERATED VISUALS DONE BY GROTESK.GROUP   LIVE VISUALS FOR THE CURRENT DRUNKENMASTERS LIVE SHOW. CONCEPT, EDITING, MOTION DESIGN AS WELL AS THE 3D ELEMENTS AND ALL GENERATED VISUALS DONE BY GROTESK.GROUP  LIVE VISUALS FOR THE CURRENT 


‘SHOCKZ’


GENERATED CREATION AND EDITING OF A DATA-DRIVEN CAMPAIGN.


WITH STINKBERLIN/ANOMALYNERLIN;; FLORIAN HUELBIG;; ANNA VAN DER VELDE;;FOR SHOCKZ_A CAMPAIGN.  WITH STINKBERLIN/ANOMALYNERLIN;; FLORIAN HUELBIG;; ANNA VAN DER VELDE;;FOR SHOCKZ_A CAMPAIGN.  WITH STINKBERLIN/ANOMALYNERLIN;; FLORIAN HUELBIG;; ANNA VAN DER VELDE;;FOR SHOCKZ_A CAMPAIGN.  WITH STINKBERLIN/ANOMALYNERLIN;; FLORIAN HUELBIG;; ANNA VAN DER VELDE;;FOR SHOCKZ_A CAMPAIGN.  WITH STINKBERLIN/ANOMALYNERLIN;; FLORIAN HUELBIG;; ANNA VAN DER VELDE;;FOR SHOCKZ_A CAMPAIGN.  WITH STINKBERLIN/ANOMALYNERLIN;; FLORIAN HUELBIG;; ANNA VAN DER VELDE;;FOR SHOCKZ_A CAMPAIGN.  WITH STINKBERLIN/ANOMALYNERLIN;; FLORIAN HUELBIG;; ANNA VAN DER VELDE;;FOR SHOCKZ_A CAMPAIGN.  WITH STINKBERLIN/ANOMALYNERLIN;; FLORIAN HUELBIG;; ANNA VAN DER VELDE;;FOR SHOCKZ_A CAMPAIGN.  WITH STINKBERLIN/ANOMALYNERLIN;; FLORIAN HUELBIG;; ANNA VAN DER VELDE;;FOR SHOCKZ_A CAMPAIGN.  WITH STINKBERLIN/ANOMALYNERLIN;; FLORIAN HUELBIG;; ANNA VAN DER VELDE;;FOR SHOCKZ_A CAMPAIGN.  WITH STINKBERLIN/ANOMALYNERLIN;; FLORIAN HUELBIG;; ANNA VAN DER VELDE;;FOR SHOCKZ_A CAMPAIGN. 


‘KIA/SOUNDSCAPES’


CONVERTING DATA FROM THE ADAS-SENSORS INTO SOUND/MUSIC..


SOUNDSCAPES PROJECT: GROTESK.GROUP CONTRIBUTED TECHNICAL EXPERTISE TO A COLLABORATIVE PROTOTYPE INITIATIVE WITH KIA AND INNOCEAN BERLIN. THE PROJECT UTILIZED A KIA EV9, LEVERAGING ITS INTEGRATED ADAS SENSOR ARRAYS FOR REAL-TIME ENVIRONMENTAL DATA ACQUISITION. GROTESK.GROUP PROVIDED CREATIVE CODING STRATEGIES TO CAPTURE AND PROCESS THE RAW SENSOR DATA STREAM PERTAINING TO SURROUNDING LANDSCAPE TOPOGRAPHY AND OBJECTS. THIS DIGITAL INPUT WAS THEN SUBJECTED TO ACOUSTIC TRANSLATION VIA THE ONBOARD SYSTEM ARCHITECTURE AND SOUND DESIGN PROTOCOLS DEVELOPED IN PARTNERSHIP WITH DA HOUSE. 

THE OBJECTIVE WAS TO CONVERT COMPLEX SENSOR READOUTS INTO A SONIFIED REPRESENTATION OF THE ENVIRONMENT, CREATING AN AUDITORY PERCEPTION LAYER FOR PASSENGERS BY TRANSFORMING ADAS DATA INTO MUSICAL OUTPUT. 


‘SOULY/NICHTSHITTETMEHR’


CREATION OF A DATA-DRIVEN HORSE.


PROD. STOOPID LOU, WATERBOUTUS, ANATOLE MUSTERMIX: HEAVEN IN STEREO @HEAVENINSTEREOMASTER: CARBONARA STUDIOS / DUSTIN SCHEID @CARBONARASTUDIOSVIDEO BY FLIPPHONESTUDIOS @FLIPPHONE.STUDIOSREGIE: FRITZ ELSMANN @FR1TZDOP: FRITZ ELSMANN @FR1TZ LUIS KOPPELKAMM @LUIZ_KOART DIRECTION: SERIFFS.DEPARTMENT @SERIFFS.DEPARTMENTTITLELS: LUCAS GRASSMAY @LUCAS.GRASSMAYEDIT: FRITZ ELSMANN @FR1TZGRADING: LENNART FRÄNKEL LENNARTFRAENKELVFX DATA VISUALS: GROTESK.GROUP @GROTESK.GROUPVFX 3D ELEMENTS: LEANDER LARISCH KAUM STUDIOS @KAUMBTS: NEMO LIENAU @Y.LASHMANAGEMENT: PIETRO DAMIANI @PIET.DA 


‘TALKATIVE/01’ 
>>


CLICK HERE FOR THE RESEARCH (PDF)

THIS PAPER, FROM GROTESK.GROUP, EXAMINES AI'S PROFOUND IMPACT ON SOCIETY, CREATIVITY, AND ETHICS. IT NOTES TENSIONS BETWEEN AUTOMATION AND AUTONOMY, POTENTIAL LOSS OF ARTISTIC INDIVIDUALITY, AND THE NEED FOR REBELLION AGAINST STANDARDIZATION. 

IT REVEALS AMBIVALENT REACTIONS TO AI, FEARS ABOUT ERODED CRITICAL THINKING AND AUTHENTICITY, AND CALLS FOR ANALOG EXPERIENCES. THE PAPER ADVOCATES FOR CONSCIOUS AI GUIDANCE AND COMMUNITY-DRIVEN SYSTEMS, AND EMPHASIZES HUMAN EMOTION AND AUTHENTICITY IN ART.

GROTESK.GROUP WILL DEFINE ITS OWN ETHICAL FRAMEWORK FOR ENGAGING WITH AI. IT IS AN ART PROJECT, NOT STRICTLY SCIENTIFIC RESEARCH.


DVAG


CUSTOM TRAINED VOICE FOR VOICER OVER ADAPTATION.

RETRIEVAL BASED VOICE CONVERSION WITH A TRAINED DATASET ON JUERGEN KLOPP FOR ONE THE FIRST DEEPFAKED TVCS. DATASET TRAINED ON ONE HOUR OF RECORDINGS FOR 400 EPOCHS FOR A HIGHER FLEXEBLITY AND VARIETY IN THE ALL REQUIRED USECASES.

DJ GIGOLA


OPEN SOURCE 2D&3D DEEP FACE SWAP BASED ON PYTORCH AND MXNET.

DEEPFAKES OF DJ GIGOLA FOR HER SHOWS ON RINSE.FM. BY CREATING FAKES, THE INTERPLAY BETWEEN POST-INTERNET AND MEME CULTURE IS HIGHLIGHTED, REVEALING HOW THESE REALMS BLUR THE BOUNDARIES BETWEEN AUTHENTICITY AND PERFORMANCE.

SCANDINAVIAN BIOLABS


A TVC WITH OBJECT AND BLOB DETECTION INFUSED VISUALS.

TRAINABLE BAG-OF-FREEBIES SETS NEW STATE-OF-THE-ART FOR REAL-TIME OBJECT DETECTORS IN HAIR GROWTH AND SKIN CARE.

‘DEEPDIPS’ / BPB


CREATION OF A DATA-DRIVEN HORSE.



DEEPDIPS ADDRESSES THE SURGE OF REALISTIC, YET FAKE, VIDEO CONTENT ON PLATFORMS LIKE TIKTOK, INSTAGRAM, AND YOUTUBE. THE PROJECT WAS CONCEIVED TO COMBAT THE SPREAD OF DEEPFAKES AND SENSITIZE YOUNG AUDIENCES TO THEIR POTENTIAL IMPACT.

DEVELOPED AND PRODUCED IN COOPERATION WITH ANNABLUME  ON BEHALF OF THE CLIENT, BUNDESZENTRALE FÜR POLITISCHE BILDUNG (BPB), THE PROJECT ADOPTED A NOVEL APPROACH. IT LEVERAGED ARTISTICALLY-CRAFTED DEEPFAKES AS A PLAYFUL ENTRY POINT, CREATING CONTENT IN COLLABORATION WITH POPULAR TIKTOK CREATORS SUCH AS SIMON.BTH, ADRIAN KOZAKIEWICZ, KHOI TRUONG, MISS MI, AND LAURA ANTONIA. THIS STRATEGY AIMED TO EDUCATE VIEWERS DIRECTLY ON THE PLATFORM ABOUT HOW TO RECOGNIZE AND IDENTIFY FAKE MEDIA.

TO COMPLEMENT THE TIKTOK VIDEOS, DEEPDIPS INCORPORATED LIVE STREAMS. HOSTED BY CREATOR NIKO KAPPE, THESE STREAMS FEATURED EXPERTS FROM ACADEMIA AND INDUSTRY DISCUSSING THE CREATION, DETECTION, AND DANGERS OF DEEPFAKES WHILE ENGAGING WITH QUESTIONS FROM THE COMMUNITY.